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Showing posts from November, 2017

Museum of Moving Image

The Museum of Moving Image was a great experience for young media makers, like me. Although there were various exhibits, our educator took the time to demonstrate a demo of sound editing. This was significant because our class recently learned about and worked on audio projects of our own. Our educator broke down the sound design in a film. She showed us how a scene from Titanic was edited, in regard to sound.  First, she showed us the scene without sound at all and asked to imagine what sounds we would attach to the scene. She, then, added the dialogue that was recorded by the actors in a session of automated dialogue replacement, ADR. She included the Foley sounds and then the sound effects. She emphasized the difference between Foley sounds and sound effects. This was interesting because as we worked on our project, it seemed that sound effects would be efficient enough. But in a feature film, the Foley sounds can truly define some scenes beyond any other audio component....

Blog #3: Relationships Between Shots

This scene is from Kill Bill: Volume 1, directed by Quentin Tarantino. The video is just under 2 minutes, but I analyzed the first half of the scene. The scene is placed in sequence, therefore it encompasses continuity editing. 0:00 – 0:13 The scene begins as an overhead shot, like a bird’s eye view. The camera is following a subject into a restroom, which is clearly motivated camera movement. 0:13 – 0:16 The camera pans down and focuses on the subject at a neutral angle, a medium shot. 0:20 The camera follows the subject once again into a stall. 0:23 The camera at first shows the exterior of the stall but quickly changes, without moving the camera, to a view of what is happening inside the stall. The subject is changing, the camera sees a profile shot of the subject. This is filmed as a medium shot and the subject seems to be lined on the right vertical line in the rule of thirds. 0:29 Then the camera follows a new subject, wearing a black dress, from the restroom into a ...