The Museum of Moving Image was a great experience for young media makers, like me. Although there were various exhibits, our educator took the time to demonstrate a demo of sound editing. This was significant because our class recently learned about and worked on audio projects of our own. Our educator broke down the sound design in a film. She showed us how a scene from Titanic was edited, in regard to sound. First, she showed us the scene without sound at all and asked to imagine what sounds we would attach to the scene. She, then, added the dialogue that was recorded by the actors in a session of automated dialogue replacement, ADR. She included the Foley sounds and then the sound effects. She emphasized the difference between Foley sounds and sound effects. This was interesting because as we worked on our project, it seemed that sound effects would be efficient enough. But in a feature film, the Foley sounds can truly define some scenes beyond any other audio component....